“Men have accomplished great things without a woman’s help,” she said. They kissed good night, and Joan went up to her own room. She found it just as she had left it. A bunch of roses stood upon the dressing-table. Her father would never let anyone cut his roses but himself.!

She had lost her faith in journalism as a drum for the rousing of the people against wrong. Its beat had led too often to the trickster’s booth, to the cheap-jack’s rostrum. It had lost its rallying power. The popular Press had made the newspaper a byword for falsehood. Even its supporters, while reading it because it pandered to their passions, tickled their vices, and flattered their ignorance, despised and disbelieved it. Here and there, an honest journal advocated a reform, pleaded for the sweeping away of an injustice. The public shrugged its shoulders. Another newspaper stunt! A bid for popularity, for notoriety: with its consequent financial kudos. “You think it would prove a useful alliance?” she suggested.

He met her in the corridor, and they walked up and down and talked, too absorbed to be aware of the curious eyes that were turned upon them. Joan gave him Carleton’s message. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.